Bakemono
Bakemono BakemonoBakemono



Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids.

The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details.

Bakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts).


• Suggested uses: born to allow you to change the weight of a word without losing the text alignment, Bakemono can both excel at text size in its regular widths optimised for legibility as well as owning the page at display size with its uncommon design details. Perfect for contemporary branding, web design, packaging and countless other projects;

• 21 styles: 7 weights x 3 different styles + 1 variable font;

• 839 glyphs in each weight;

• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Ordinals, Scientific Inferiors, 7 Stylistic Sets, Subscript, Superscript, Slashed Zero

• 217 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük





Krafika
Krafika KrafikaKrafika



Introducing, Krafika - a modern sans with ligatures and alternates!


Krafika is a modern sans with a bunch of ligatures and alternates that will make your poster, cover or logo even more stunning and stand out! You can use this font as a stand alone font for any project such as logo, headline or branding. Also comes with the right arrow and star! This fonts support Multi Language.





Andalia
Andalia AndaliaAndalia



Introducing Andalia, the romantic script typeface, that is modern, casual, and elegant. Created with slanted strokes, and a clean ornament that visualizes the more dramatic typographic looks.


Andalia is ready to play with you. It comes with hundreds of alternates characters and some ligatures that you can mix and match. This font was created especially for food branding or advertising, and fashion.

Consists with 500+ glyphs,


Andalia is PUA Encoded, which means you can access the special characters from Font Book (Mac) or Character Map (Win). No special software is needed.


Here is what you'll get :

  • Uppercase
  • Lowercase
  • Numbers, symbols, & punctuation.
  • Accented characters (Multilingual)
  • Stylistic alternates
  • Stylistic Set 01-11
  • Ligatures






Sake Moru
Sake Moru Sake MoruSake Moru



Sake Moru is a experimental display font. Sake Moru is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Outline Version.


This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application.


We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations.


We hope you enjoy the font. Thanks and have fun!





Patinas Pointed
Patinas Pointed Patinas PointedPatinas Pointed



Patinas Pointed with 2 Style Reguler and Destroy.

Modern Urban Serif Font, Powerfull and has a great Character,

Good Font to use for covering your Project,

like Branding, Headline Letter, Flyer, Signage, Quotes, Poster Typography,

Bookcover, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design.


- Unique glyphs

- Multilingual Characters Support

- UPPERCASE

- Lowercase

- Numeric

- Symbol

- Punctuation Character



inumocca type

Studio






Portland Grotesk
Portland Grotesk Portland GroteskPortland Grotesk



Portland Grotesk is a grotesque sans serif typeface with chubby proportions in 5 weights Light - Regular - Medium - SemiBold - Bold and supports all latin languages. Easy to use and easy to read.

The character set contains 1109 glyphs with a wide range of alternates characters and includes:

- Small Capitals

- Fractions

- Superiors, denominators

- Open type features such as case sensitive, standard ligatures and several stylistics sets


Portland Grotesk fits perfectly for all types of communication (Books, magazines, posters)



Portland GroteskDownload NowView Gallery


Maestrography
Maestrography MaestrographyMaestrography



Proudly Present, Maestrography a Natural Handwritten Calligraphy Font.


Maestrography is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.


Maestrography come with much features. Ligatures, beginning and ending swash, stylistic alternates and Multi-Lingual Support.


We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.



Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!





Val Edeline
Val Edeline Val EdelineVal Edeline



Proudly Presenting, Val Edeline a Modern Calligraphy Font.



Val Edeline is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.



Val Edeline come with much features. Ligatures, beginning and ending swash, stylistic alternates and Multi-Lingual Support.



We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.



Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!





Proto Mono
Proto Mono Proto MonoProto Mono



Proto Mono™ is a modular monospaced font built with rounded shapes, designed with tech industrial taste by Radinal Riki. Created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, and more. Come with 2 styles with 4 weights each. This entire font is capitalized and with a character set that covers over 100 languages.





Austaly
Austaly AustalyAustaly



Austaly is a beautiful modern calligraphy font, featuring fun characters with their font characteristics.


Austaly is perfect for branding projects, logo, social media posts, wedding designs, advertisements, product packaging, watermark, invitation, stationery and any projects that need handwriting taste.


What’s Included :


  • Standard glyphs & Ligature
  • Works on PC / Mac
  • Simple installations
  • Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word
  • PUA Encoded Characters, Fully accessible without additional design software.
  • Multi-lingual support


Thank you for your purchase!


Hope you enjoy with our font!





Threva
Threva ThrevaThreva



Threva is a stylish sans serif font with 2 styles, solid and outline. You can combine the two into something creative. The shape is not too stiff, looks modern and elegant





Revolancer
Revolancer RevolancerRevolancer



Are you ready? Ready to touch a completely unique font? The true postmodern typeface in history. Ready for a design revolution? This is the Revolancer font. This font will give you freedom. The freedom to be unique, not like everyone else. These are not just ordinary rotated letters. Each character in Revolancer font knows its place, and it is impossible to achieve such a smooth and organic flow of words using a regular font.





Koch Schrift
Koch Schrift Koch SchriftKoch Schrift



A heavy blackletter; Rudolf Koch’s first type from 1909.


On an old page full of type specimen from the 1930s, the type is described as ”Schwabacher (used by the Deutsche Reichsbahn [German Imperial Railway]).“ As a matter of fact, it is the first print of the Offenbach script master Rudolf Koch, who came out with this typeface in 1909.

At that time, it was given the name ”Neudeutsch“ (New German). Later, it became very popular under the name Koch-Schrift, and was at times the official typeface of the Deutsche Reichsbahn (German Imperial Railway).